Jewelry Finds Fall 2026—Part 1

From August 28 to 30, 2026, the jewelry industry will gather for the INOVA COLLECTION at the Hofheim Rhein-Main Exhibition Center. Amid established suppliers, goldsmiths, designers, and new collections, one of the fair’s strengths is that it offers the chance to discover names and pieces of jewelry that aren’t found in every store window.

Unique designs, special materials, and inspiration are what make the experience of discovery so appealing here. We take a look at: Per Borup, Sabine Müller, UN_WEARABLE BY GÜZIN, and Sanjoya. They showcase very different artistic styles—ranging from sculptural forms to adaptable concepts to family histories steeped in tradition.

Sabine Müller: Shapes from Nature

^{Jewelry from the Becherling Collection by Sabine Müller}

Sabine Müller’s Becherling series is particularly striking. Her distinctive shapes are inspired by small mushrooms, but rather than being reproduced exactly as they appear in nature, they are transformed into unique decorative objects.

The pieces are first created in wax and individually sculpted. Organic shapes, varied surfaces, and the deliberate use of color and material give the series its distinctive style.

Jewelry in which nature does not serve as decoration, but rather becomes the starting point for the design.

Per Borup: Danish Family History with New Branches

Since 1962, Per Borup has been synonymous with jewelry from Denmark. Today, his son Kell and granddaughter Julie Borup continue to run the company; production continues in their own workshop in the Copenhagen area.

Right now, the Calligraphy collection, with its flowing lines, really stands out.

And then there’s Changeling: rings and other pieces of jewelry whose gemstones or pearls can be swapped out. Tradition and a surprisingly playful product concept go hand in hand here.

UN_WEARABLE BY GÜZIN: lightweight, even though it doesn’t look like it

^{un_wearable by Güzin: Jewelry from the Lumina & Basics Collection}

Based in Vienna, Güzin Deveci-Gröhs works at an intriguing intersection: Her jewelry can be voluminous, geometric, and vibrantly colored—yet it should still be comfortable to wear.

Basics 25 showcases the more accessible side of this typeface. In Lumina 25/26, it takes on a more minimalist and sculptural character. Ellipses, open spaces, and light become essential design elements.

Sanjoya: A Short Journey Through Three Worlds of Jewelry

^{Jewelry by Sanyoja}

Barcelona, Prague Twisted, and Athene couldn’t be more different.

Barcelona features irregular, stone-like shapes. Prague thrives on the interplay of matte and polished surfaces and on movement. Athene combines shine with delicate, almost point-like textures and elements that appear transparent.

Sanjoya thus demonstrates that a brand does not necessarily have to be confined to a single, instantly recognizable design formula.

It’s worth taking a closer look

Don’t just look for the big trends that end up being everywhere. Instead, look for individual ideas, forms, and stories that stick with you.

Sometimes a discovery really does start with a small detail.