Time to Watches Novelties: Diversity Over Uniform Aesthetics

The Time to Watches in Geneva once again demonstrates how differently independent brands and established manufacturers position themselves today – between radical craftsmanship, technical innovation and classical watchmaking.

TAOS, for example, presents two unique pieces with Genèse and Odonata, pushing Métiers d’Art to new extremes: dials as artisanal compositions of enamel, engraving and stone inlays, created in over 1,000 hours of work.

TAOS with Genèse (left) and Odonata (right)

In contrast, Dominique Renaud makes its debut with the Pulse60, following a conceptual approach: a newly developed movement with an extremely low frequency of 1 Hz and an oversized balance system that rethinks precision through rhythm.

Dominique Renaud Pulse60

Adriatica takes a more classic and accessible approach – with a titanium tourbillon model as well as sporty-elegant chronographs and automatic watches designed for everyday wear.

Adriatica 8349.2116A
Adriatica Tourbillon 8888.41G4M

Traditional mechanics also remain present: Aerowatch expands its collection with a full calendar featuring a double moon phase that displays both hemispheres, reinterpreting classic complications.

Aerowatch Full Calendar

Squale stands for the dive watch and its reinterpretation. The distinctive cases represent a reduced tool watch aesthetic – forming a deliberate counterpoint to the experimental approaches of other independent brands.

Squale 2001

It is precisely this breadth that defines the strength of the event: from highly specialised unique pieces and experimental movements to bold tool watches and accessible Swiss serial production – a panorama that perfectly reflects the diversity of contemporary watchmaking.

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